srijeda, 09.11.2011.


Disney watches for men - Watch grey's anatomy season 5 episode 5.

Disney Watches For Men

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Malga Kubiak ARCHIVES THE EGO TRIP IDN1 1988, IDN2 1989, NOT FOR MINORS! LABEL!! NOTHING FOR MINORS!!! U MUST BE OVER 21 TO WATC on Vimeo by malga.kubiak2

Malga Kubiak ARCHIVES THE EGO TRIP IDN1 1988, IDN2 1989, NOT FOR MINORS! LABEL!! NOTHING FOR MINORS!!! U MUST BE OVER 21 TO WATC on Vimeo by malga.kubiak2

IDN1 1988, IDN2 1989 by Malga Kubiak Archives The Ego Trip 1988, 1989
attention! the ego trip collection is not for minors!
music Zbigniew Karkowski
vocals & texts Malga Kubiak
recorded at Chalmers
cast Malga Kubiak
camera Malga Kubiak, Tjell Zachrison
editing Malga Kubiak
cast Malga Kubiak, Peo Soderberg, Tjell Zachrison, Lola Muller, CM von Hausswolff & many others
shark photos Laurie Dammert
shot GBG, NYC, GBG
complete review 1995
Material on Independent Film. Part I / By Mats Olsson

MISS TROUBLE HAS moved to Stockholm. Or perhaps she hasn't. When it
comes to Miss Mess, Maggachacka, Mango Chutney, Marga, or, as sheprefers to be called, Malga Kubiak, its difficult to know what she means by home.
A fabulously romantic woman who doesn't know if she's still a girl, and if she has the right to be. Of all people I've met, no one has attempted to act the part of the total Artist quite like her. Despite the fact that she is a quite nice person, very few have succeeded to such an extent in being provocative. This is not due to more profound strategies. Provocation seems to be innate to her, and its purpose is by no means exclusively to epater les bourgeois. In practice, though, this is what happens. Her victims are not just the pilots of leather
armchair etiquette, or the suburban couch potatoes, but also colleagues, gallerists, journalists, officials, chauvinists, feminists, old friends, premeditating men and prejudiced women; all of them encounter her very
apparition as an offense to the inner calm they've spent a lifetime attaining.
The irony here is striking. The spirit of the times is divided between a longing for the good old days of public projects and an extremely individualistic artistic ethic. In the case of Malga, her means of
expression are pathetic beyond recognition. The simple fact that the word pathetic is generally thought of as negative turns our resistance to her work an auto-ethic anesthesia. By all means - she's not alone in
being a misunderstood artist. Since the ban on absinthe in Paris, very few taken social obstinacy in art to its extremes. Her artistic expression is identical with her own life. She works exclusively with
herself. If other people take part , thye are only background for the superegotism of Miss Mess. This should however be seen as a generous act, as it comes across in her books, films and objects. Problems arise
since we still expect a ritualized interaction in so-called reality. Malga is not the queen of real power. In fact , she's unexpectedly lousy at practical stuff, such as money, layout and aesthetic control. Her art /life/ is maximally charged with sex, drugs, violence, travels, experiences, emotions, and quests. Due to her unfettered techniques of presentation, she retains true pathos. Her passionate abandon creates a secret. What she wants to say is easy to repress, despite the fact that it's much clearer than, for instance, this text.
During the last years, her travels through existence have taken place in the company of a young man, Harry Hoppe, probably the best Swedish poet today. It's hard to tell how you know something like that. I've
never read any of his work. But charismatically speaking this couple seems impeccable.
I'd like to recommend you all to read her latest book Baby Trouble which makes for difficult reading, and is only available on request from the artist. An easier way of becoming acquainted with her work is to see
her latest film , Babe Trouble-Hole, which according to the artist is more of comedy than her earlier films.
It opens at the Zita Theater in Stockholm. What you'll get is a not
entirely non-pornographic reflection on two people loving each other, and some slices of real life as well. If you should happen to bump into them in a bar, I strongly sest that you buy them drinks. I also
recommend them for the government funding, preferably public art on Riddarholmen. I would like to advice against any kind of violence or trouble-making . And stay aloof from all business involving rock bands, or any other practicalities, if Chaggamacka is in the vicinity.
The Ego Trip Collection
I The Ego Trip Collection ingar b la "Ego", "Super Ego", "IDN1", 2 och 3. orsaken till att jag valjer att ta upp dem tillsammans ar att de stilmassigt och innehallsmassigt ligger nara varandra.
Hur ska man beskriva dessa filmer? Trots att jag har sett de har filmerna ett antal ganger ar mitt intryck detsamma: ett rasande kaos. Eller som Malga sjalv kanske skulle uttrycka det: "films about love/ sex/ death/ hate/ life" osv. Det kan lata osammanhangande och diffust, men faktum ar att det finns en mycket stark "drive" i dessa videos. detta beror till stor del pa den hetsiga klippningen och den pumpande elektroakustiska musiken av exempelvis Karkowski, kombinerat med Malgas jagade, skrikande diktupplasning. Morbultningseffekten ar stark, sar

I'll take "A Hit of Nostalgia" for 800, Alex.

I'll take

Alex: "These animated series by Disney made afternoons worth waiting for."

"What are Adventures of the Gummi Bears, DuckTales, Chip 'n Dale's Rescue Rangers, TaleSpin, and Darkwing Duck."

Alex: "I'm going to have to check with the judges on this one. Mm, mm-hm. You get the points. Another title you could have included was Goof Troop."

I don't know if Goof Troop is on DVD. If it is, I might pick it up. Likewise Bonkers, if it's on DVD. Nostalgia rocks, until you watch The Super Mario Bros. Super Show or The Legend of Zelda. Also, be sure to enjoy watching DuckTales before reading the comics by Carl Barks (and additionally works by Don Rosa), or suddenly the animated series is disappointing. I still like it, though!

I understand the reason that episodes of Darkwing Duck are so mixed around, but because of the mixing, I'll hold off on watching series two yet. I want to watch something that won't be jumping around between what was aired on one station and what was aired on another station.

I've already watched volume one of both DuckTales and TaleSpin (now there's a nice series!), so I'll hold off on them.

I have two volumes of Rescue Rangers, and one of Gummi Bears.

I remember Gummi Bears the least (almost no memories; just a few), so I'll begin with that! Man, I wish I knew where I had my toy of the little pink one (I think he was my favorite), so I could photograph is for the 365 toy project. I wouldn't be surprised if Gummi Bears, alongside the animated Hobbit movie, and Smurfs (episodes with Johan and Peewee) didn't foster my love of the medieval/fantasy genre in my earlier youth.

Checking/editing/uploading photos will take longer now, but watching something in the background (which requires no reading subtitles) will make it feel more efficient a use of my time =D

Oh, and I just realized looking at the box that this set has one season per DVD -- so, it's all three seasons in one set! You probably can't expect much when it comes to visual quality (without a digital restore process that won't be able to pay for itself in sales), so it's understandable for there to be such a small fit. However, 16 episodes listed as 220 minutes means 13.75 minutes per episode. The episodes aren't 14 minutes long, so this must exclude opening/enndig themes. *Sticks DVD into DVD drive.* All right, I'm loving this theme song!

Update: After watching the first four episodes, the video quality is better than I expected for a 1985 animation. And the stories are fairly decent, too! DuckTales has a level of "dumbed down for children" that isn't here and especially isn't in TaleSpin. I don't remember about Rescue Rangers.

Update 2: At least one episode is 10 minutes (with no opening theme). Maybe they have a 10 minute episode and a 15 minute episode that aired together?

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09.11.2011. u 23:51 • 0 KomentaraPrint#

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