četvrtak, 27.10.2011.


Civil War Photography Equipment - Food Equipment Specialists Dunedin.

Civil War Photography Equipment

civil war photography equipment

    war photography
  • War photography captures images of armed conflict and life in war-torn areas, beginning with Roger Fenton's photographs of the Crimean War in 1854-55, in which he was limited by his bulky equipment and the technology of the day, which had not yet developed a method for photographing moving objects.

  • (War Photographer (song)) Jason Forrest is an electronic music producer known for noisy experimental electronica and breakcore incorporating many ideas of mash-up and rock and roll.

  • A tool is a device that can be used to produce or achieve something, but that is not consumed in the process. Colloquially a tool can also be a procedure or process used for a specific purpose.

  • The necessary items for a particular purpose

  • The process of supplying someone or something with such necessary items

  • an instrumentality needed for an undertaking or to perform a service

  • Mental resources

  • The act of equipping, or the state of being equipped, as for a voyage or expedition; Whatever is used in equipping; necessaries for an expedition or voyage; the collective designation for the articles comprising an outfit; equipage; as, a railroad equipment (locomotives, cars, etc.

  • (of disorder or conflict) Occurring between citizens of the same country

  • Of or relating to ordinary citizens and their concerns, as distinct from military or ecclesiastical matters

  • of or occurring within the state or between or among citizens of the state; "civil affairs"; "civil strife"; "civil disobedience"; "civil branches of government"

  • applying to ordinary citizens as contrasted with the military; "civil authorities"

  • Relating to private relations between members of a community; noncriminal

  • not rude; marked by satisfactory (or especially minimal) adherence to social usages and sufficient but not noteworthy consideration for others; "even if he didn't like them he should have been civil"- W.S. Maugham

civil war photography equipment - On Alexander

On Alexander Gardner's Photographic Sketch Book of the Civil War (Defining Moments in American Photography)

On Alexander Gardner's <i>Photographic Sketch Book</i> of the Civil War (Defining Moments in American Photography)

Soon after Alexander Gardner's Photographic Sketch Bookwas published, in 1866, it became the Civil War's best-known visual record and helped define how viewers, then and in subsequent generations, would come to know the war. Gardner's classic also became foundational in the history of American photography, combining, for the first time, words and images in a sophisticated and moving account. This book, written by the art historian Anthony W. Lee and the literary scholar Elizabeth Young, interprets the story of the war as told by Gardner, unraveling his careful choice of words and images and the complicated play between them, and understanding them against the backdrop of the literary and photographic cultures of the American antebellum and Reconstruction eras. This book presents a unique study of a pivotal American historical document, approaching it from the perspective of visual studies as well as American literature and history.

82% (9)

Civil-War-#25-Federal engineers bridging the Tennessee River at Chattanooga, March 1864

Civil-War-#25-Federal engineers bridging the Tennessee River at Chattanooga, March 1864

The War Between the States was the first large and prolonged conflict recorded by photography. During the war, dozens of photographers, both as private individuals and as employees of the Confederate and Union Governments, photographed civilians and civilian activities; military personnel, equipment, and activities; and the locations and aftermaths of battles. Because wet-plate collodion negatives required from 5 to 20 seconds exposure, there are no action photographs of the war.

The name Mathew B. Brady is almost a synonym for Civil War photography. Although Brady himself actually may have taken only a few photographs of the war, he employed many of the other well-known photographers before and during the war. Alexander Gardner and James F. Gibson at different times managed Brady's Washington studio. Timothy O'Sullivan, James Gardner, and Egbert Guy Fox were also employed by Brady during the conflict.
From The National Archives

Equipment shed?

Equipment shed?

Not sure if this is an old equipment shed but that's what I think it is. There's a narrow door and a larger one - like what you might use for hand tools v/s larger items (plow etc.). It was divided in half inside, and they're working on restoring it (hense the boards propping up the side.)

Duluth Georgia 2005

civil war photography equipment

civil war photography equipment

Facing Fascism: New York and the Spanish Civil War

When the Spanish Civil War began in 1936, loosely affiliated groups of writers, artists, and other politically aware individuals emerged in New York City to give voice to anti-fascist sentiment by supporting the Spanish Republic. Facing Fascism: New York and the Spanish Civil War examines the participation of New Yorkers in the political strles and armed conflict that many historians consider a critical precursor to World War II. Nearly half of the 2,800 Americans who volunteered to fight in the Abraham Lincoln Brigade against Generalissimo Francisco Franco came from the New York area. Fundraising, propaganda, and deployment for anti-fascists everywhere in America were orchestrated through New York City. At the same time, powerful voices in New York expressed sympathy for the pro-fascist side.
The fighting in Spain brought to the surface the complex ideological and ethnic identities always present in New York politics. Facing Fascism examines the full range of this experience, including that of the New Yorkers who supported Franco. It addresses the role of doctors, nurses, and social workers who left New York hospitals to provide assistance to the defenders of the Spanish Republic, as well as those who remained active on the home front. The book also describes the involvement of students in the war, the key role of writers and the media, and the contributions made by members of New York's art and theater communities.
Facing Fascism also serves as the catalog to an exhibition of the same name appearing at the Museum of the City of New York in the spring of 2007. The book and exhibition both make use of the Abraham Lincoln Brigade Archives' extensive holdings, which range from historical documents to video recordings of oral histories. Numerous other libraries, archives, museums, and private collectors have also been consulted to make this the most complete exhibition of its kind ever mounted. The exhibition will also appear in Spain.

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27.10.2011. u 13:47 • 0 KomentaraPrint#^

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