BODIES HIT THE FLOOR

četvrtak, 27.10.2011.

FULLERS SECOND FLOOR - SECOND FLOOR


Fullers second floor - Best floor buffer.



Fullers Second Floor





fullers second floor






    second floor
  • The floor directly above the ground floor

  • With evidence locations; Quasi-3-D with companion photos

  • The floor two levels above the ground floor





    fullers
  • A groove made by this, esp. in a horseshoe

  • people who perform the last steps in making cloth or who clean clothes.

  • A grooved or rounded tool on which iron is shaped

  • are a family who paid Greg to watch their dog, Princess, while they went on vacation. But after the Princess made her "feces|business" in the living room, they didn't pay him.











fullers second floor - Don't Let's




Don't Let's Go to the Dogs Tonight: An African Childhood


Don't Let's Go to the Dogs Tonight: An African Childhood



In Don’t Let’s Go to the Dogs Tonight, Alexandra Fuller remembers her African childhood with candor and sensitivity. Though it is a diary of an unruly life in an often inhospitable place, it is suffused with Fuller’s endearing ability to find laughter, even when there is little to celebrate. Fuller’s debut is unsentimental and unflinching but always captivating. In wry and sometimes hilarious prose, she stares down disaster and looks back with rage and love at the life of an extraordinary family in an extraordinary time.










87% (14)





Second Floor




Second Floor





Second floor of the first part of McCormick Elementary School in Wichita Kansas. It was built in 1889-1890 and was designed by architects Proudfoot and Bird. It was added to in 1930 and in 1950. It closed in 1992 due to declining enrollment and is now home to the McCormick School Museum.

National Register #78001288. Added in 1978.











Second Floor




Second Floor





I went up the stairway but didn't actually set foot on the second floor ... just wasn't sure how secure the floor was!









fullers second floor








fullers second floor




Scribbling the Cat: Travels with an African Soldier






With the same disarmingly unguarded prose that won her critical acclaim for Don’t Let’s Go to the Dogs Tonight, Alexandra Fuller tells of her unusual friendship with “K”—a white African and veteran of the brutal, racially divided Rhodesian War. An engrossing and haunting tale of love, godliness, hate, war, and survival, Scribbling the Cat recounts the journey she makes with K into the lands that hold the scars of their war, from Zambia through Zimbabwe (formerly Rhodesia) and into Mozambique. Driven by memories, they venture deeper into the countries’ remote bush, where they encounter other veterans and survivors and confront the demons of K’s past: a violent war marked by racial strife, jungle battles, torture, and the murdering of innocent civilians.

Thomas Wolfe's trusted axiom about not being able to go home again gets a compelling spin through the African veldt in Alexandra Fuller's Scribbling the Cat: Travels with an African Soldier. Fuller (Don't Let's Go to the Dogs Tonight : An African Childhood) journeys through modern Zambia, to battlefields in Zimbabwe and Mozambique with the scarred veteran of the Rhodesian Wars she identifies only as "K." Intrigued by the mysterious neighbor of her parent's Zambian fish farm and further enticed by her father's warning that "curiosity scribbled the cat" ("scribbling" is Afrikaans slang for "killing"), Fuller embarks on a journey that covers as much cratered psychic landscape as it does African bush country. Though she and "K" are both African by family roots rather than blood, she quickly discovers that 30 years of civil war have scarred them--and the indigenous peoples they encounter--in markedly different ways. "K" is a figure of monumental tragedy, a decent man torn by war-fueled rage, a failed marriage, and painful memories of an only son lost to tropical disease. His adopted Christianity offers him only partial absolution, and Fuller details his gut-wrenching confessions of quarter-century old atrocities with compassion and rare insight. Her prose liberally salted with a rich, melange of Afrikaans and local Shona slang, Fuller nonetheless strles with a narrative whose turns are often unexpected, yet driven by humanity. There's a clear sense that the author's fitful journey into the past with "K" has opened as many wounds as it has healed, and spawned more questions than it has answered. It's that discomfort and frustration that often reinforces the honesty of her prose--and reinforces Thomas Wolfe's adage yet again. --Jerry McCulley










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