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This is the Model H-16 Bolex from 1947. It is Swiss made and operates on a hand crank wind up (no batteries needed) much like Swiss watches. This is a brilliant camera with so many features for it's day: a 3 lens turret mount (just rotate for standard, wide or long), variable speed settings for fast or slow motion, hand cranking to reverse exposed footage for super-impositions, and single-frame still photography or as stop-motion, exposing one frame per shutter click.
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Bolex S-221 16mm film projector. Lighting info: umbrella at camera left, snooted flashgun with light blue gel on the right, bare flashgun angled to light the background.
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Music lovers sift through thousands of records Saturday at the Austin Record Convention held at the Crockett Center on North Lamar.
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The English Market is one of Cork's greatest assets, with an array of butchers selling traditional Cork meats, fruit and veggie shops selling at discount prices, fishmongers, Italian and French cheese stalls, fresh bread stands and more. Early in the morning, chefs from various restaurants and cafes drop in to buy their supplies. During the day, many residents of the city pass through to do their own shopping. It is also popular with visitors as it is a unique shopping experience that really should not to be missed.
So I bought a circular polarizer filter earlier on in the day (after reading recommendations from the Nikon Group) and went to the ocean to check out it's effect. It really does enhance the colors a lot, although this photo did come out rather dark. I don't want to become too reliant on it.
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You'd be hard-pressed to find a published image that hasn't spent some quality time in Adobe Photoshop. With new features such as Content-Aware Fill and Puppet Warp, Photoshop CS5 is more amazing -- and perhaps more bewildering -- than ever. That's where this full-color Missing Manual comes in. It covers Photoshop from a practical standpoint, with tips, tricks, and practical advice you can use every day to edit photos and create beautiful documents.
Whether you're a beginner or an experienced pixel pusher ready to try advanced techniques, author and graphics pro Lesa Snider offers crystal-clear, jargon-free instructions to help you take advantage of these powerful tools -- not only how they work, but when you should use them. Describing the CS4 edition, bestselling Photoshop author Scott Kelby wrote, "Lesa did a great job on the book, and in my mind, it is the new Photoshop Bible."
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Using Content-Aware Fill in Photoshop CS5
By Lesa Snider
In Photoshop CS5, you have another option for filling selections called Content-Aware Fill. It works with the Fill command and the Spot Healing brush by comparing your selection or brushstroke to nearby pixels. Photoshop then fills the area so it blends seamlessly with the background. For example, you can follow these steps to break up a perfectly good boy band:
1. Open your image and duplicate the Background layer by pressing Ctrl+J. Since there’s no way to tell the Fill command to sample all layers (bummer!), it won’t work on an empty layer.
2. Use the selection tool of your choice to select the band member on the left. Because there’s a decent amount of contrast between the boy and the grassy meadow, the Magnetic Lasso tool does a great job. Grab it from the Tools panel by pressing Shift-L repeatedly until you see it appear. Mouse over to your image and click once to set a starting point, and then drag around the boy, clicking to add anchor points here and there.
3. Choose Edit > Fill and, from the Use pop-up menu, choose Content Aware. As soon as you press OK, Photoshop fills your selection with pixels from the surrounding area.
To fix the remaining outline of the deleted bandmate, just switch back to the Spot Healing Brush by pressing K (in the Options bar, make sure Content Aware is turned on). With a quick brushstroke here and there, you can clean up the final image quite nicely and it won’t take hours like it did in previous versions of the program. Until you can actually wish an object out of a photo, this new tool ought to suit you just fine.
Lighted Tower with American Flag hdr
Again an opportunity to do something different presented itself. I loved the glow of the lighted tower as we walked by it. I had no tripod, no strobes only my camera with zoom lens and the building was located several blocks away. In this case I wanted as much definition and sharpness of the lighted area and on the flag as I could get. I braced myself and again shot several exposures (well maybe 8 or 10). In this case this 'noise' gives some definition to the trees and buildings in the foreground -- making them appear a ghostly purple.
EXIF data Nikon d90 Tamron 18-270 lens exposed at1/60 0f a second at f4.8 focal lengtrh 46 mm. ISO 1600, 0 EV on camera flash fired. The RAW image was processed with Photoshop CS5 (and after experimentation I decided not to use a 'Noise' filter, then tone mapped as a single RAW using Dynamic Photo HDR software.
© Lawrence Goldman 2011, All Rights Reserved
This work may not be copied, reproduced, republished, edited, downloaded, displayed, modified, transmitted, licensed, transferred, sold, distributed or uploaded in any way without my prior written permission.
Marina (żfoto o pintura?)
Olympus E-620. ZD 14-54 f2.8-3.5. Filtro de densidad neutra y degradado. Raw revelado con Adobe Camera Raw y tocado con iPhoto'11.
Es un procesado agresivo para intentar darle un cierto aspecto entre irreal y pintura.
Quedada con el grupo de Flickr QDDs Coruna para hacer fotografia nocturna.
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I dont' like when the day is short, but sometimes this comes with the gift of some beutiful sunset.
Original shot taken with an Olympus e500 digital slr camera, 8 Mp, Zuiko 9-18mm AF lens, various post processing.
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Camara /Camera:Nikon D80+MBD80
Objetivo / Lense: Tamron 18-200mm f3.5 6.3
Lighting/Processing/Strobist: Just Sunset light & a windy day and a little contrast adding on PSCS4.
Place: Escultura d "El Peine de los vientos", San Sebastian - Spain
Algunos derechos reservados // Some rights reserved
**Attribution-NonCommercial-NoDerivs Creative Commons
**Creative Commons Atribucion-No Comercial - No Derivs
If you wish to have a printed copy of this photo, please contact me.
Si te interesa obtener una copia impresa de esta foto, por favor contactad conmigo.
Camara /Camera:Nikon D80+MBD80
Objetivo / Lense: Sigma 105mm f2.8 macro
Lighting/Processing/Strobist: Rainy day on my city
Place: Sacada desde el paseo del tenis, al lado del Peine del Viento.
Algunos derechos reservados // Some rights reserved
**Attribution-NonCommercial-NoDerivs Creative Commons
**Creative Commons Atribucion-No Comercial - No Derivs
If you wish to have a printed copy of this photo, please contact me.
Si te interesa obtener una copia impresa de esta foto, por favor contactad conmigo.
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Saw this scene in my rear view on the way home from school today. So I drove home, got my camera, then I get back to this spot, only to find out that I forgot my tripod, so I had to go home again and get it.
So, yea, here's what I got.
Tools: 350D, 18-55mm, tripod, wireless remote
Location: Raleigh, NC
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I mounted my camera to a shelf bracket attached to the rear axle of my bike, and fired the camera with a wireless remote trigger.
I used a slower shutter speed (1/30 sec I think), giving some motion to the cars and bike wheels.
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THE POLAROID is an instant camera with a self-developing film. A picture taken from this camera is also prone to fading out, over the course of time. In a sense, The Polaroid image is much like a living object, with a birth-death cycle. It is this ephemeral quality of Polaroids that drew artist Mithun Jayaram to the medium. A recently concluded exhibition at the Alliance Francaise Bangalore featured 60 Polaroid images shot by Jayaram over the course of 3 years. The seeming disparate images have one focus - capturing images of fleeting, everyday moments. What was unique to this exhibit (Collecting Fragments) was the spontaneous quality of the images - photographed without any form of digital or contextual manipulation. Rajita Gadagkar caught up with the artist, currently residing in the city, to discuss photography and matters of art.
--What is the idea behind the body of your pictures?
It is a sharing of moments. And a focus on overlooked moments. The pictures were not staged prior to taking their photos, lights were not added nor removed and the pictures were not altered to give an effect. These pictures were taken at the moment I discovered them.
I wanted to share pictures with which I could relate a sense or transience, an idea of mortality that we are surrounded by in our everyday. I also wanted to know my reaction to displaying pictures that I never initally intended for public consumption. To experience the private and the public all at once in the form of an exhibition of photos.
--All the images were shot using a Polaroid camera. Why Polaroids?
A fantastic medium! It condenses the classical method of taking pictures, developing and printing into this glossy plastic card.
It amazes me because it has its own life after having birthed from the womb of its camera. Unlike any camera that I've come across, its picture grows before your eyes.. and in time, it will fade away.. quite like most living beings. I have seen Polaroid shots of my cousins taken sometime during the 70s and have noticed how the colours will inevitably dull.
It is, to me, the perfect medium to talk about ideas of transience. Especially now with the news that this particular series of Polaroid film (the 600 film) is to run out of supply sometime 2009. It adds a layer to that idea of transience.
--What is the process of working with a polaroid like vis-a-vis the more controlled process of shooting with an SLR?
It much simpler with a Polaroid! With SLRs you need to consider many more elements with regards to the technicalities of taking a picture. Shutter speed, aperture, light meters, a certain aperture for certain light and/or depth, etc.
I love my SLR, but there are qualities of colour, clarity and size that I adore with my Polaroid which is not so fluent with the 35mm film.
--What are some of the other visual art forms you work with?
I dabble with video, paints, sculptural forms, installations and more particularily with medium that has an inherent ephemeral quality within its self eg. tissue paper, toothpicks, cotton, pencil shavings, etc
One installation I was particularily happy with was, 'A Roomful of Old Ladies Clattering their Fingernails'. A window display area situated in an underground shopping mall in Singapore was the space used for this work.
Over two thousand pencils fell under the blades of sharpeners and an entire space was made... one area with a pencil lead chandalier, another area with hanged shavings whose shadows resembled thousands of butterflies in suspended animation, while the floor had mounds of a different texture of shavings to have a semblance of anthills...
What really interested me about this project was that I was in that space for 3 months, revealing the process of its growth and sharing it with people. I felt it meant more than just putting a painting up on a wall for viewing... There was the choice given to the audience to interact and participate with the art and artist. It provided more dimensions to looking and interacting with art.
--How did you discover photography?
It was only after having been exposed through certain teachers at LASALLE College of the Arts, did a curiousity surface about using it as a medium... There were photographers like Sally Mann and Cindy Sherman whose works i really enjoyed.
I later found out my dad had an old camera and it was in good condition. A Pentax ME. That was where my experimenting with the cameras eye began. Soon after, I chose an elective on darkroom photography, where we get to process our own black and white film and print our own images. Thats where I understood photography better as truly 'drawing with light'
--Do you think a city Bangalore is open to contemporary art, for instance, installations, in public spaces etc?
Every place is open to growth and theres no better way to find out than experimenting and sharing something you feel strongly about.
Polaroid SX-70 Land Camera
The original, and my first film camera. Without fail, opening this in public draws people in — it's still the only camera I can easily use to shoot portraits; people *want* you to take their picture with it.
The folding design (especially as an SLR) is one of the most innovative product designs in history, and it's a shame Polaroid moved away from this elegant and unique style of camera, a move I believe had much to do with their eventual demise.
I shoot Type 600 film (typically sold as 600 and 779 before it was discontinued) using a neutral density filter taped to each film pack, to bring the exposure closer to the original Time Zero film (long discontinued, and no longer available).
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NIKON CAMERA LENS 18. NIKON CAMERA
Nikon Camera Lens 18. Logitech Camera Models
Nikon Camera Lens 18
Nikon D5100 Digital SLR Camera with Nikon 18-105mm f/3.5-5.6G ED VR AF-S DX Nikkor Autofocus Lens + 3 Extra Lens + 32GB SDHC Memory Card & More !!
Nikon's D5100 Digital SLR Camera delivers a galaxy of professional features in a consumer digital camera. A high-resolution 16.2MP DX format CMOS sensor and an EXPEED 2 image processing engine guarantee superb quality and high performance. The 3" vari-angle tilting LCD monitor allows you full freedom in composition with sparkling 921,000-dot resolution. Full 1920 x 1080p video with full-time autofocus (for tracking subjects in motion) and stereo sound (using optional microphone) is always available with in-camera editing and creative controls to bring out your inner director.
Factory Supplied Accessories
EN-EL14 Lithium-Ion Battery (1030mAh), MH-24 Quick Charger for EN-EL14 Battery, DK-5 Eyepiece Shield (Replacement), DK-20 Rubber Eyecup, UC-E6 USB Cable, EG-CP14 A/V Cable, AN-DC3 Camera Strap, BF-1B Body Cap, BS-1 Hot-Shoe Cover, ViewNX 2 CD-ROM, 1-Year Limited Warranty
This Kit Includes:
1- Nikon D5100 Digital SLR Camera
1- Nikon 18-105mm f/3.5-5.6G ED VR AF-S DX Nikkor Autofocus Lens
1- Wide Angle Lens
1- Telephoto Lens
1- Filter Kit
1- Hard Tulips Lens Hood
1- 32GB SDHC Memory Card
1- USB SD/HC Memory Card Reader
1- Digital Flash
1- Wireless Remote Control
1- Soft carrying case
1- Full Size Tripod with Carry Bag
1- Pack of LCD Screen Protectors
1- Lens/LCD Cleaning Kit
1- Mini Table Top Tripod
Nikon Lens 18-200 VR
We all have one....the lens we like most often on our cameras. Mine is this one....it's multi-purpose, and has taken nearly 10,000 photos since I first got it 8 months ago.
I love photography...everything to do with it. Now, if only I could win the lottery, I could get some more gear!
Get out shooting today, my friends, there is a whole big wide world out there.
Empty Nikon Body
Empty Nikon D500, I went to the Cardinal camera shop and they let me try on their lens, so I took some pictures :)
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REVERSE CAMERA INSTALL - CAMERA INSTALL
Reverse Camera Install - Covert Camera Systems - Gps Backup Camera System.
Reverse Camera Install
The AVIC F-90BT Harness Nears Completion
I've been soldering so much I feel dizzy!
Here is whats going on in this picture:
1.) This is the Metra 1784 harness plug. It connects to the harness that currently attaches to the stock head unit.
2.) This is the bundle of wires carrying audio signals. (Front left & right and Rear left & right)
3.) This is the bundle carrying the +12V power, all ground, remote amp-turn on, and the e-brake override. This is separate from 2 above to try to avoid noise. The blue wire taped to the outside here is the retractable antenna control wire, which I will not be using.
4.) Two ground loop isolators. Hopefully these will reduce/eliminate noise as well
5.) These are the wires that are as of yet incomplete. They all need extensions as they need to be routed to various places in the car.
ACC (red): This tells the unit when to turn on.
ILL (orange): This tells the unit when the headlights are on, so it can dim the screen for night mode.
VSS (pink): This provides the unit with the vehicle speed, to aid navigation when GPS signal is iffy.,
Reverse: (violet) This tells the unit when the car is in reverse, both to trigger the reverse camera (if installed, I won't install this) and to tell the navigation which direction the car is moving in.
6.) This is the black head unit plug. One of the two plugs going into the head unit.
7.) This is the white head unit plug, the other of the two plugs going into the head unit.
8.) This bundle has power and ground wires for the HD Radio unit, which will be located separately from the head unit due to space concerns
9.) This is an "extra" bundle of wires I will not be using in my install.
- Video out (for headrest screen installs)
- Rear view camera in
- Line out to subwoofer (potential upgrade in the future I guess :p
10.) This is the iPod connector.. The USB plug seen here needs to plug into a wire coming out the back of the head unit. it only uses USB for control signals though, so audio and video cables need to be connected as well.
Camera Remote Control
Ever see a self-portrait of just a camera (yes, I shot this in the bathroom mirror and I reversed the image to make it look normal)? I sctratched together this radio remote control for my digital camera. I'm thinking if I get time, I MIGHT get the chance to use it to get shots of eagles lured to the shore of the river by a dead fish. It uses a very basic radio-control transmitter and reciever that's made for use in radio-controlled model cars, etc. The hinged wooden dowel is light enough that it won't actuate the auto-focus/exposure due to its own weight (I originally planned to install a counteracting spring to keep pressure off the shutter button between shots, but that wasn't needed), and the spring over the shutter button eliminates the need for precise control of the actuator unit. The sliding knot on the big loop of yellow string allows easy adjustment to make the actuator work properly within its limited pulling range. The little plastic bucket hanging below holds the radio reciever unit and batteries. Many of the details of this "work of art" can't be seen in the photo, but the overall principle should be clear.
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RENT VIDEO CAMERA - VIDEO CAMERA
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Rent Video Camera
This was my first Canon. I have been asked to video a wedding next month. I don't know anything about videoing a wedding! I think I will rent the HD version of my video camera. This is about 5 years old and the battery doesn't hold a charge over 20 minutes anymore.
Rent a Flick - crop 2
An old closed down video store in town.
Shot in-camera B&W with custom setting. PP to deepen shadows and tweak contrast. Cropped.
Better viewed on black.
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SD CAMERA MEMORY CARDS. SD CAMERA
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Sd Camera Memory Cards
New 2in1 Apple iPad SD Card Reader & USB Camera Connection Kit
With the iPad camera connection kit, you can easily download photos and videos from your digital camera to your iPad and share them with family and friends.
The Kit has two connections. Each has a different interface as detailed below:
1: The Camera Connector features a USB interface. Plug it into the dock connector port on your iPad, then attach your digital camera or iPhone using a USB cable (not included). It supports external keyboards. iPhone 3G is NOT supported.
2: Use the SD Card Reader to import photos directly from your camera's SD card. Connect it to your iPad, then insert your digital camera's SD card into the slot.
After the connection is made, the iPad automatically opens the Photos app, which lets you choose which pictures to import. When syncing the iPad to your PC or Mac, the photos on your iPad are added to your computer's photo library.
The iPad and the Camera Connection Kit support standard photo formats, including JPEG and RAW.
The card on the left came with my camera and holds 16 megabytes (which is pretty worthless). The card on the right holds 2 gigabytes.
Memory Card Boxes
Canon SD card, SanDisk SD card retail packaging, and shipping box shown together for size comparison.
sd camera memory cards
Battery Requirements: Vehicle: 7.4V 1300mAh Rechargeable Battery (Included) Transmitter: 6 AA Batteries (Not Included) Want to watch your helicopter fly directly from the cockpit? The GYRO Hawk Spy Camera 3.5CH Large Metal RTF Electric RC Helicopter is equiped with a Gyroscope as well as a Hi-Res Digital Video Camera with 4GB micro SD camera which can record up to 8 hours and even more! The camera is already built-in, right underneath the cockpit, so there is no need to worry where to mount the camera! The Hawkspy also features the outstanding ability to hover steaily, as well as move forward, bakward, up, down, clockwise and counter-clockwise. The built in Gyroscope makes it automatically stabilize allowing you to focus on flying instead of trying not to make it crash. This helicopter is ready to fly and ready to spy! So what are you waiting for? Get the GYRO Hawk Spy Camera 3.5CH Large Metal RTF Electric RC Helicopter today!
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SINGAPORE CAMERA PRICES - SINGAPORE CAMERA
Singapore Camera Prices - Cheapest Canon Dslr Camera - Flip Camera Manual.
Singapore Camera Prices
Last meal in Singapore: nasi lemak at the Ponggol Nasi Lemak Centre
Read about this place from Kenny Sia's and Carls Palma's blogs. Kovan was actually pretty near my brother's place, so I figured I'll try it out since I've been craving for nasi lemak.
This one is a make your own nasi lemak, where you can put as many or as little viands with your rice.
The rice is so good. You can really taste the coconut cream. If you don't like spicy food, no need to worry because there's plenty of non-spicy choices. Definitely worth the SG$6.50 price tag and 30 minute wait.
Sent from outer space*
* my mobile device.
Mustafa Shopping Center Singapore
View of Mustafa shopping mall in singapore, every shopping needs in one roof. Prices are normal and products are reliable. I got a nice Sony CyberShot (made in japan) camera.. its working very well.
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THIRD EYE CAMERA SYSTEMS - THIRD EYE
Third Eye Camera Systems - Travel Zoom Camera Reviews
Third Eye Camera Systems
.18x HD Professional Super Wide Angle Panoramic Macro Fisheye Lens + 3x Digital Telephoto Professional Series Lens + 0.43X Digital Super Wide Angle Macro Professional Series Lens + 3 Piece Filter Kit + Lenspen Cleaning System For The Olympus PEN E-P1 Digital Camera Which Has The ZUIKO Digital ED 14-42mm f3.5 - 5.6 Micro 4/3 Zoom Olympus Lens
* 1) .18x HD Super Wide Angle Panoramic Fisheye Lens -
An essential tool for extreme sports and dramatic action shooters
-High Resolution Precision Optics, Day or Night & Great for Every Type of Photographic Situation!
-Multicoated optical glass
- Includes carrying case and lens caps
The .18x Fisheye Lens increases the versatility of your existing lens to provide breathtaking ultra wide angle views. And it's so easy to use!
* 2) 3x Digital Telephoto Professional Lens - When your digital camera can't get you quite close enough to the action, this 3x telephoto accessory lens will bring the action three times as close to you. It's perfect for all your long-distance photos of sporting events; candid portrait shots, as well as nature and wildlife photography. This is the ideal lens attachment for sports fans and parents whose kids play sports.
* 3) 0.43x Digital SUPER Wide Angle Macro Professional Series Lens - When you've run out of room and your back's against the wall and you just can't seem to squeeze everything you want in the shot, just put on this wide angle lens attachment to get it all in the picture. The detachable Macro Lens enables you to photograph small objects up close. Great for jewelry, coins, stamps, flowers, and more.
* 4) 3 Piece Filter Kit - Lens filters are translucent pieces of glass placed in front of a camera lens to alter or adjust the light entering the camera, and more importantly to protect the camera lens. This filter kit is a combination of the three essential filters no photographer should be without.
* 5) Lens Pen - The perfect cleaning tool safe for all camera lenses, High quality Retractable nonabrasive Lens Brush, Removes fingerprints, smudges, and grease marks
* 6) DB ROTH Micro Fiber Cleaning Cloth - Eliminate dust and smudges
Got my new camera. :o)
Woohoo!! Got a new camera today, a Sony Cybershot DSC-H9 to replace my Sony Cybershot DSC-H5. I've been waiting for ages for it to reach the UK and it finally got here the last week of April. Naturally just had to play with it straight away and so the image on the tilting screen is of me playing around with the remote control. :o) The screen rotates 180 degrees which is superb for viewing from various angles above and below. For owners of the DSC-H5 (DSC-1, DSC-2), the standard lens barrel from the DSC-H5 does not fit the DSC-H9. So unless you can buy a third party one (if there is one) the zoom lens and wide angle lens will not fit this camera. :o( The lens housing on both cameras looks the same diameter but they have used a different thread so the H5 lens barrel will not screw onto the H9. Wonder why they had to change that? Batteries are different to but the memory card fits the H9 with no problems. The flash still bounces of the lens hood if it is attached causing a slight shadow at the bottom of the photo. At least I can still use my existing slave flash. They have moved the AF assist light slightly lower on the H9, this is partially blocked by the flower lens hood on the H9 if it is attached (but I guess you would not be using both at the same time). On the plus size, the H9 is dramatically lighter than the H5. Amazes me how they have bolted more stuff inside it and it comes out lighter. Having said that the DSC-H9 has one battery so saves a lot of weight there. Looks quite a beast though. The remote control works from the front so you can just take numerous photos by keep pressing the shutter button and it works from behind to. So with the remote you can zoom in and out, access photos, start a slide show (with music) and jump into the menu system. Had a go with the night vision and in complete darkness you can see everything. Not sure what I would use it for just yet though, Specs of the DSC-H9 8.1 effective megapixels Carl-Zeiss Vario-Tessar lens (31mm - 465mm : 35mm equivalent) 15x optical zoom , 25.5x HD smart zoom , 30x digital zoom, up to 76x smart zoom NightShot for shooting in complete darkness using infra-red technology Super large tilting 3-inch (7.5cm) LCD screen , and electronic viewfinder Manual controls and advanced sports mode (high speed shutter (1/4000) and intelligent continuous auto-focus) Double Anti-blur technology combining Super SteadyShot and ISO 3200 high sensitivity (REI) Remote Control Face Detection automatically tracks and focuses on faces in the picture 1cm macro for ultra close-up shooting BIONZ processor for improved picture quality and high speed operation DRO technology to automatically correct contrast and exposure In-camera retouching, including red-eye correction and trimming High Definition output for displaying still images on a HD TV HD slideshow with music for playback on camera LCD screen or a HD TV (16:9) MPEG Movie VX (VGA 30fps movie mode with audio) PictBridge for direct connection to printer without need for PC STAMINA battery life, up to 280 shots (CIPA standard with LCD screen on) Ergonomic body 31MB internal memory
Awaken your third eye - when you look into existence with absolute undivided consciousness- then you are one
The third eye (also known as the inner eye) is a mystical and esoteric concept in certain Eastern and Western spiritual traditions. It is also spoken of as the gate that leads within to inner realms and spaces of higher consciousness. In New Age spirituality, the third eye may alternately symbolize a state of enlightenment or the evocation of mental images having deeply-personal spiritual or psychological significance. The third eye is often associated with visions, clairvoyance, precognition, and out-of-body experiences, and people who have allegedly developed the capacity to use their third eyes are sometimes known as seers.
Source : Wikipedia
third eye camera systems
ButterflyPhoto has Offered Top quality products for all digital cameras for over 15 years. Every product is guaranteed to work 100% perfectly and is 100% Brand New in its original Package. Each item includes a Full Worldwide warranty and is 100% sanctioned for safe use. ButterflyPhoto is a Leader In the Consumer Electronics Business, Our ratings throughout the internet are second to None
Red focus beam to assist in low light conditions
Includes reflecting plate & wide angle diffuser
Five levels of power ratio 1/1,1/2,1/4,1/8,1/16
Bounce Positions 0, 45, 60, 75, 90 Degrees
Zoom Positions 28/35/50/85 mm
DSLR Auto Focus
Automatic shutter speed setting
Red eye reduction
Auto focus / TTL metering
LCD display will show zoom position
Guide number 42 at 85 mm zoom position
Uses 4 AA batteries (not included
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¦ 2) Sakar - Mini Tripod
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