BECOME FASHION PHOTOGRAPHER

Breaking Into the Biz: What it Really Takes to Become a Professional Model

"Do I have what it takes? and Do I really need a portfolio?" are questions every aspiring model asks their photographer over and over again on the way to success. Making it as a model is never guaranteed, and just breaking into the biz proves impossible for most.

As a former fashion photographer in Atlanta and San Diego, Lance T. Walker knows a lot about the business from the inside. This easy-to-read guide to getting started as a professional model will prove valuable to anyone looking to face the flashbulbs without stumbling.

Lance describes the types of work that are available in the modeling world, the tools required for each, and how to make sure you're not getting ripped off. He also includes an awesome list of great fashion magazine web sites from around the globe!

"Do I have what it takes? and Do I really need a portfolio?" are questions every aspiring model asks their photographer over and over again on the way to success. Making it as a model is never guaranteed, and just breaking into the biz proves impossible for most.

As a former fashion photographer in Atlanta and San Diego, Lance T. Walker knows a lot about the business from the inside. This easy-to-read guide to getting started as a professional model will prove valuable to anyone looking to face the flashbulbs without stumbling.

Lance describes the types of work that are available in the modeling world, the tools required for each, and how to make sure you're not getting ripped off. He also includes an awesome list of great fashion magazine web sites from around the globe!

Do I have what it takes to become a fashion photographer? I keep asking this to myself over and over again...

If I ever become a fashion photographer please hunt me down and end my misery.

Vividly portrayed in this American Masters Special, photographer Richard Avedon shoots for two different worlds. Primarily, he is a fashion photographer, having worked for various magazines for more than 50 years. Of particular note is the description of photographing Natassja Kinski, a shoot that took two hours of her lying naked on a cement floor as they tried to coax a snake up her body. As a fashion photographer, Avedon became known for his sense of movement and the energy he captured in each image; he gets exquisite models to leap, move, and flip their hair. His second, and perhaps lesser-known, body of work is art photography, including portraits of the famous and the unknown, with a signature style of photographing his sitters on a white background with no props. This documentary ably captures the tension between these two directions in his work by overlaying the positive and negative viewpoints about his photography in a collage of voiceovers. We learn how Avedon views his role as a photographer, and that for him the end result captures "the death of the moment." Also included are the controversial images of his dying father. This program aptly depicts this highly creative man exposed through his work as vulnerable, obsessed, and a perfectionist. This 81-minute-long program will interest a broad audience, from those interested in fashion, people of our times, the history of the 20th century, artists and art historians, and photography in general. --Anne Barclay Morgan