ARM FLOOR LAMP

The 2009 Import and Export Market for Electric Table, Desk, Bedside, or Floor-Standing Lamps in Australia

On the demand side, exporters and strategic planners focusing on electric table, desk, bedside, or floor-standing lamps in Australia face a number of questions. Which countries are supplying electric table, desk, bedside, or floor-standing lamps to Australia? How important is Australia compared to others in terms of the entire global and regional market? How much do the imports of electric table, desk, bedside, or floor-standing lamps vary from one country of origin to another in Australia? On the supply side, Australia also exports electric table, desk, bedside, or floor-standing lamps. Which countries receive the most exports from Australia? How are these exports concentrated across buyers? What is the value of these exports and which countries are the largest buyers?

This report was created for strategic planners, international marketing executives and import/export managers who are concerned with the market for electric table, desk, bedside, or floor-standing lamps in Australia. With the globalization of this market, managers can no longer be contented with a local view. Nor can managers be contented with out-of-date statistics which appear several years after the fact. I have developed a methodology, based on macroeconomic and trade models, to estimate the market for electric table, desk, bedside, or floor-standing lamps for those countries serving Australia via exports, or supplying from Australia via imports. It does so for the current year based on a variety of key historical indicators and econometric models.

In what follows, Chapter 2 begins by summarizing where Australia fits into the world market for imported and exported electric table, desk, bedside, or floor-standing lamps. The total level of imports and exports on a worldwide basis, and those for Australia in particular, is estimated using a model which aggregates across over 150 key country markets and projects these to the current year. From there, each

Interior of the Capitol Theatre designed by Walter Burley Griffin, Swanston Street, Melbourne. Opened 1924. Interwar period and the architectural style is Chicagoesque. It originally included the largest Wurlitzer by far in Australia at that time, with the first organ console lift in Australia & UK. The crystalline interior included a range of coloured lights that could produce a show in itself.

Walter Burley Griffin designed the layout for Canberra, the capital of Australia. He was a cohort of Frank Lloyd Wright.

"The effect [of the auditorium] was magic. One had entered a stalactite-encrusted cave, or a late Gothic cathedral. The awe-inspiring form, pattern and texture was achieved by crystalline shapes ordered into coherence by simple, smooth, beam-like strips of ceiling plaster, wide piers, and a deep band of suspended walling that encircled the auditorium beneath the side boxes and circle. At the side of the stalls and behind the boxes were deep recesses. All this made for a truly sculptured environment. Thousands of coloured lamps producing light that changed through all the hues in the spectral range were hidden amongst the plaster crystals..." Thorne, Ross, Picture Palace Architecture in Australia,1976, p. 20.

In 1924 seated 2137 (stalls 1306, balcony 633, loges & boxes 198). In 1930s reduced to 2115. Screen was brought forward in 1955, and the theatre then remained unchanged until the mid-1960s. Closed 1964.appliance shop. Its size was then substantially reduced by constructing a shopping arcade in the lower part of the auditorium, of which the floor was raised, so that the dress circle now forms the stalls, with a slope to the foot of the screen. Although the auditorium is significantly smaller, seating 650, the irreplaceable ceiling and side walls remain undisturbed.

Interior of the Capitol Theatre designed by Walter Burley Griffin, Swanston Street, Melbourne. Opened 1924. Interwar period and the architectural style is Chicagoesque. It originally included the largest Wurlitzer by far in Australia at that time, with the first organ console lift in Australia & UK. The crystalline interior included a range of coloured lights that could produce a show in itself.

Walter Burley Griffin designed the layout for Canberra, the capital of Australia. He was a cohort of Frank Lloyd Wright.

"The effect [of the auditorium] was magic. One had entered a stalactite-encrusted cave, or a late Gothic cathedral. The awe-inspiring form, pattern and texture was achieved by crystalline shapes ordered into coherence by simple, smooth, beam-like strips of ceiling plaster, wide piers, and a deep band of suspended walling that encircled the auditorium beneath the side boxes and circle. At the side of the stalls and behind the boxes were deep recesses. All this made for a truly sculptured environment. Thousands of coloured lamps producing light that changed through all the hues in the spectral range were hidden amongst the plaster crystals..." Thorne, Ross, Picture Palace Architecture in Australia,1976, p. 20.

In 1924 seated 2137 (stalls 1306, balcony 633, loges & boxes 198). In 1930s reduced to 2115. Screen was brought forward in 1955, and the theatre then remained unchanged until the mid-1960s. Closed 1964.

Its size was then substantially reduced by constructing a shopping arcade in the lower part of the auditorium, of which the floor was raised, so that the dress circle now forms the stalls, with a slope to the foot of the screen. Although the auditorium is significantly smaller, seating 650, the irreplaceable ceiling and side walls remain undisturbed.

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