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petak, 21.10.2011.

DRAPERY PANEL IDEAS : PANEL IDEAS


DRAPERY PANEL IDEAS : PAYLESS BLINDS AND SHUTTERS : CANOPY EXHAUST HOOD



Drapery Panel Ideas





drapery panel ideas






    drapery
  • curtain: hanging cloth used as a blind (especially for a window)

  • The artistic arrangement of clothing in sculpture or painting

  • Drapery is a general word referring to cloths or textiles (Old French drap, from Late Latin drappus ). It may refer to cloth used for decorative purposes - such as around windows - or to the trade of retailing cloth, originally mostly for clothing, formerly conducted by drapers.

  • cloth gracefully draped and arranged in loose folds

  • Cloth coverings hanging in loose folds

  • Long curtains of heavy fabric





    panel
  • A flat board on which instruments or controls are fixed

  • empanel: select from a list; "empanel prospective jurors"

  • A thin, typically rectangular piece of wood or glass forming or set into the surface of a door, wall, or ceiling

  • A thin piece of metal forming part of the outer shell of a vehicle

  • sheet that forms a distinct (usually flat and rectangular) section or component of something

  • decorate with panels; "panel the walls with wood"





    ideas
  • (idea) the content of cognition; the main thing you are thinking about; "it was not a good idea"; "the thought never entered my mind"

  • (idea) a personal view; "he has an idea that we don't like him"

  • (idea) mind: your intention; what you intend to do; "he had in mind to see his old teacher"; "the idea of the game is to capture all the pieces"

  • A thought or sestion as to a possible course of action

  • An opinion or belief

  • A concept or mental impression











Statue of Liberty National Monument




Statue of Liberty National Monument





Viewed from the Staten Island Ferry, Upper New York Bay, New York City, New York, United States

I believe this enterprise will take on very great proportions. If things turn out as I hope they will this work of sculpture will become of great moral importance.

The sculptor Frederic Auguste Bartholdi wrote these prophetic words in 1871, nearly fifteen years before his grand creation, the Statue of Liberty, was completed. The statue was intended to symbolize man's enduring belief in liberty, and to commemorate the long-standing friendship between the United States and France.

It is, moreover, a monument to the idealism, perseverance, generosity, and hard work of people both here and in France who, like Bartholdi, had faith In the/'great moral importance" of the statue. With the passage of time the significance of the Statue of Liberty has deepened and expanded, until she has become the primary symbol of American liberty, independence and freedom. Standing in New York harbor, she has greeted millions of immigrants arriving in America, and thus has come to symbolize the hope for a better life in a new homeland, free from tyranny and oppression.

Although Liberty has become quintessentially American, the idea for the statue originated in France. It was first sested by Edouard-Rene Lefebvre de Laboulaye (1811-1683). Laboulaye was an historian, author, and the foremost French authority on American constitutional history.

A great admirer of America, he had published a three-volume history of the United States, a satirical story "Paris in America", and numerous articles espousing the Union cause during the Civil War, He was the principal figure of a group of French intellectuals who, during the Second Empire, advocated Republican rule for France,

They viewed American government as exemplary and took pride in the role played by Frenchmen such as Lafayette in the formation of the American republic.

Thus, the initial idea from which the Statue of Liberty resulted was in keeping with Laboulaye's sentiments and political philosophy. At a dinner given by him in the summer of 1865 at his estate at Glatigny, near Versailles, Bartholdi, who was one of the quests, listened to a discussion concerning gratitude between nations.

Labouiaye, emphasizing the friendship between France and America, commented, "If a monument to independence were to be built in America, I should think it very natural if it were built by united effort, if It were a common work of both nations,,"

Historical events at the time, especially in France but also in the United States, made the construction of such a monument an action of potential political significance. In America, the Civil War had just ended with the republic intact, but President Lincoln had been assassinated. The common people of France were profoundly disturbed by this tragic event, so much so that a public subscription was initiated to fund a gift to Mrs. Lincoln which would express the sympathies of the French people.

A gold medal was made and inscribed with the words "Dedicated by the French Democracy to Lincoln". This tribute was opposed by the French monarchy then in power; the medal had to be struck in Switzerland and smled to the American embassy in France, Republicans such as Laboulaye, who opposed the monarchy of Napoleon III, no doubt deeply resented this act of suppression, directed against a memorial to a leader of a democracy.

Laboulaye must have recognized that the construction of a great monument to Liberty would constitute a statement of strong political belief, one which would strengthen the image of republicanism in France. Thus, the construction of the Statue of Liberty had distinct propagandists overtones. By 1877, after much political turmoil, the ends sought by Laboulaye and other Republicans were achieved- monarchy was overturned and the Third Republic founded.

By 1871 positive steps toward the creation of the statue were taken, Bartholdi, who never lost interest in the project, had however, been occupied in the political difficulties of France, He fought in the Franco-Prussian War and witnessed the heartbreak!ng loss of his native Alsace to the enemy. In 1871, the war at an end, he determined on the advice of Laboulaye to visit the United States.

He sailed in June on the Pereire. armed with instructions and letters of introduction, and well-prepared to study America's reactions to the proposed monument. He travelled extensiveIy-**as far west as San Francisco-enjoying all that he encountered. He met with many prominent men, including President U, S, Grant, Senator Charles Sumner, and Henry Wadsworth Longfellow, Everywhere he discussed the statue he received enthusiastic response.

Upon his return to France in the fall he was able to report positively on American interest; he had, in addition, selected the site for the monument —Bedloe's Island in New York harbor, at the threshold of the New World.

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IMG 1264




IMG 1264





Back of main dining room with picture windows, original drapery, fine wood Greek moldings & columns

PUBLIC APPEAL: The Forum Diner at 211 East State Route 4, has been a landmark in Paramus, NJ since its opening in the 1960's. It was manufactured by the mastermind of diners, Fodero Dining Car Co (Joseph Fodero, who built NYC's legendary Empire Diner), and first operated by the Yannitsadis Brothers, and transported on site.

It was announced that "money was no object," when it came to detailing and superb craftsmanship. The exterior is an outstanding example of the Environmental Style, and features stainless steel, wrap-around windows, groovy gold frame doors, corner entryway with stone & colored mansard roof, & decorative ornamentation gracing the top. The interior is elegant, featuring fine Greek wood fluted columns & moldings and coffered wooden-paneled walls (rare for a diner), wood ornamentation, recessed areas for chandeliers, etched mirrors with regal logos, stone, curtains, accoustic paneling, counter & stools with backrests, kitchen out back, carpeting, terrazzo tiles and wave-patterned terrazzo distinguishing circular wooden booth areas. Pat Fodero, son of Joseph Fodero, came up with the idea of circular booths to seat more patrons per table, and it was first popularized at the Forum Diner. It became the norm to build large to boost business. The interior portrays the Colonial style.

It closed in spring 2007, marking the end of an era. Unfortunately, it was recently vandalized, but most architectural elements are intact, and the minimal damage is reversible.

Preservationist Michael Perlman spared NYC's historic Moondance & Cheyenne Diners via transport, and now the Forum Diner can be yours, thanks to an agreement with the property owner.

THE FORUM DINER MUST BE TRANSPORTED OFF THE PROPERTY ASAP, to spare it from demolition. A Jeep 17 dealership will take its place. We do have a rigger in mind, and the diner's 3 major rooms can be moved in 7 sub-sections including the vestibule. Please contact Michael Perlman at unlockthevault@hotmail.com for specifics ASAP! Save a gem!!!









drapery panel ideas







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