20.10.2011., četvrtak



Christian Dior Makeup Set

christian dior makeup set

    christian dior
  • Dior: French couturier whose first collection in 1947 created a style that became known as the New Look (1905-1957)

  • Christian Dior (21 January 1905, Granville, Manche - 24 October 1957), was an influential French fashion designer, best known as the founder of one of the world's top fashion houses, also called Christian Dior.

  • (born January 21, 1905, Granville, France—died October 24, 1957, Montecatini, Italy), French fashion designer whose creations dominated world fashion in the decade following World War II.

  • The composition or constitution of something

  • an event that is substituted for a previously cancelled event; "he missed the test and had to take a makeup"; "the two teams played a makeup one week later"

  • Cosmetics such as lipstick or powder applied to the face, used to enhance or alter the appearance

  • constitution: the way in which someone or something is composed

  • cosmetics applied to the face to improve or change your appearance

  • The combination of qualities that form a person's temperament

  • A collection of implements, containers, or other objects customarily used together for a specific purpose

  • put: put into a certain place or abstract location; "Put your things here"; "Set the tray down"; "Set the dogs on the scent of the missing children"; "Place emphasis on a certain point"

  • fit(p): (usually followed by `to' or `for') on the point of or strongly disposed; "in no fit state to continue"; "fit to drop"; "laughing fit to burst"; "she was fit to scream"; "primed for a fight"; "we are set to go at any time"

  • A group or collection of things that belong together, resemble one another, or are usually found together

  • a group of things of the same kind that belong together and are so used; "a set of books"; "a set of golf clubs"; "a set of teeth"

  • A group of people with common interests or occupations or of similar social status



What psychological process did it take to lift John Galliano to the extraordinary place of brilliance he reached—or rather, rediscovered—in his Spring couture? Everything about the Dior collection—inspired, he said, "by Pinkerton's affair with Cio-Cio San, Madame Butterfly"—reconfirmed his unique talent to evoke beauty, sensitivity, narrative, and emotion in a fashion show. Kimonos, obis, and geisha makeup were Dior-ified, transformed into delicate translations of New Look peplum suits and full-skirted dance dresses. Each look sprouted yet more miraculous planes of origami folding, their stiff geometries creating necklines like flowers or hovering birds. Every dress had an intense color and character of its own; a hot pink, an eau-de-nil with coral, cascading shades of burgundy and imperial purple. Some were painted, others sculpted from curviform furls of woven straw.

This was a return to form, and then some: a collection that represented a comprehensive ditching of the techno-brashness, crude drag-queen posturings, and overdone multireferencing that had come to obscure Galliano's talent in an increasingly bewildering way. Whatever caused this turnaround—the bleak sense of withdrawal of his last ready-to-wear collection puts it in particularly sharp relief—the recovery has been spectacular. Giant gray House of Dior chairs set on a series of podiums helped rekindle the magic of those delightful nineties shows in which Shalom Harlow and her friends used to method-model their way up and down Galliano's catwalks. And lo! There was Harlow herself, the bride, sprigs of diamonds atremble in her geisha hairdo.

For anyone who first glimpsed Galliano's raw, romantic genius 20 years ago, or witnessed the impact of his first, all-black Japanese collection done on a shoestring a decade ago, today's presentation recaptured everything that ever made him a force to be reckoned with. Was it anything new? No. But when Galliano does what he does this brilliantly, there's no one who can touch him.

Christian Dior 2007 ss



Fashion Well: A Midnight Tale. - people, celebrity, studio, Hana Soukupova, fashion model... Dress, bra, panty, socks and shoes, Christian Dior. Necklace, Pamela Love. Ring, DANNIJO. ..Photographer: Pavel Havlicek .Fashion Director: Kristen Ingersoll .Assoc. Fashion Editor: Caitlin Burke .Set Design: Viki Rutsch for Mary Howard Studio .Hair: Fred Vandebunt using Phyto, at Art Department .Makeup: Billy B for MAC cosmetics, at Art Department .Manicurist: Tracylee Percival/Vue using Priti NYC .Photographed at Beekman Palace at 5 Beekman Street, NYC

christian dior makeup set

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