HOTEL JOBS IN PENNSYLVANIA. IN PENNSYLVANIA
Hotel jobs in pennsylvania. Breakers hotel myrtle beach.
Hotel Jobs In Pennsylvania
- one of the British colonies that formed the United States
University of Pennsylvania: a university in Philadelphia, Pennsylvania
A state in the northeastern US, with a short coastline along Lake Erie in the far northwest; pop. 12,281,054; capital, Harrisburg; statehood, Dec. 12, 1787 (2). Founded in 1682 by William Penn, it became one of the original thirteen states
a Mid-Atlantic state; one of the original 13 colonies
- In French contexts an hotel particulier is an urban "private house" of a grand sort. Whereas an ordinary maison was built as part of a row, sharing party walls with the houses on either side and directly fronting on a street, an hotel particulier was often free-standing, and by the eighteenth
- An establishment providing accommodations, meals, and other services for travelers and tourists
- a building where travelers can pay for lodging and meals and other services
- A hotel is an establishment that provides paid lodging on a short-term basis. The provision of basic accommodation, in times past, consisting only of a room with a bed, a cupboard, a small table and a washstand has largely been replaced by rooms with modern facilities, including en-suite
- A code word representing the letter H, used in radio communication
- (job) occupation: the principal activity in your life that you do to earn money; "he's not in my line of business"
- Steven (Paul) (1955–), US computer entrepreneur. He set up the Apple computer company in 1976 with Steve Wozniak and served as chairman until 1985, returning in 1997 as CEO. He is also the former CEO of the Pixar animation studio
- (job) a specific piece of work required to be done as a duty or for a specific fee; "estimates of the city's loss on that job ranged as high as a million dollars"; "the job of repairing the engine took several hours"; "the endless task of classifying the samples"; "the farmer's morning chores"
- (job) profit privately from public office and official business
Pearl Bailey 1918 - 1990
Pearl Bailey, Musical Star and Humorist, Is Dead at 72
Pearl Bailey, the entertainer whose distinctive singing style was enhanced by her mischievous witticisms and warm personality, died on Friday at Thomas Jefferson University Hospital in Philadelphia after collapsing at a hotel where she had been staying. She was 72 years old and lived in Lake Havasu, Ariz.
The cause of death was not immediately known. Miss Bailey had a long history of heart ailments and was recovering from knee surgery. A spokeswoman for the hospital, Elizabeth Samuels, said an autopsy was being conducted to determine the cause of death.
In a stage career that began in 1933 when she won first prize at an amateur night in Philadelphia and reached a peak with her 1967 starring role on Broadway in an all-black version of the musical ''Hello, Dolly!'' with Cab Calloway, Miss Bailey said she thought of herself as a singer and not an actress.
''I'm not a comedienne,'' she told an interviewer some years ago. ''I call myself a humorist. I tell stories to music and, thank God, in tune. I laugh at people who call me an actress.''
Her trademark was a warm, lusty singing voice accompanied by an easy smile and elegant gestures that charmed audiences and translated smoothly from the nightclub stage and Broadway to film and television.
On stage her ample figure, often swathed in fur and sparkling with rhinestones and jewels, was a magnet for audience attention as she tossed off a ballad in throwaway style.
''I've lost one of the greatest friends I've ever had in my life,'' Mr. Calloway said after learning of Miss Bailey's death. ''I've lost a co-worker and a wonderful person.''
Carol Channing, who had created the role of Dolly Gallagher Levi in the musical three years before Miss Bailey undertook the part, said: ''The entertainment world has lost one of its most creative performers of our time. Her talent was unique and enduring.''
Miss Bailey's husband, the jazz drummer Louis Bellson, to whom she was married for 38 years and who went with her to the hospital on Friday, said simply, ''I've lost my best friend.''
The singer had left the hospital on July 30 after undergoing surgery to replace her arthritic left knee with a metal and plastic joint. She was staying at a local hotel during a series of physical-therapy sessions. Her two sisters live in Philadelphia.
Mr. Bellson said they had been planning a visit to New York, where Miss Bailey was to give an address at the United Nations on Aug. 24.
''If I just sang a song,'' Pearl Bailey once said when she had been drawn into an analysis of her performing style, ''it would mean nothing.'' That is a debatable point. Her voice had a distinctively warm timbre and her natural vocal inflection was filled with fascinating colors and highlights.
Like Jelly Roll Morton, the great jazz pianist, who was fond of saying that he changed everything he played ''to Jelly Roll'' (as, in truth, he did), everything Miss Bailey sang came out ''Pearlie Mae style.'' This included the so-called risque songs that were a staple of her nightclub acts or the songs she sang in ''Hello, Dolly!'' ''House of Flowers,'' ''St. Louis Woman'' and other Broadway musicals.
In truth, Miss Bailey never ''just sang a song.'' The stage Pearl Bailey was a close reflection of the private Pearl Bailey.
She was a trouper in the old theatrical sense. She had fierce pride in the level and consistency of her performance, no matter what the circumstances. She was disturbed to see this quality going out of show business, and she sometimes talked of forming a troupe - she still thought of it as a vaudeville act long after there were no more vaudeville theaters where it could play - through which she could instill the old discipline of trouping in promising young performers.
Tall, buxom, exuberant and handsome, Pearl Bailey enraptured theater and nightclub audiences for a quarter-century. Her talents as an actress and singer were perhaps best blended in her role as the bumptious amateur matchmaker in ''Hello, Dolly!'' which she played on Broadway for two years.
At one point the show went to Washington and President Lyndon B. Johnson attended a performance. Waving to him at the curtain, Miss Bailey brought the house down with the remark, ''I didn't know this child was going to show up.'' Then she brought him on stage for a sing-along chorus of the title song. It was probably the first time that a President of the United States served as a chorus boy.
In films, she was celebrated chiefly for two roles - Maria in ''Porgy and Bess'' and Frankie, a roadhouse girl, in ''Carmen Jones.'' But Miss Bailey's gifts were best savored in the nightclub, where she was able to establish a marked degree of intimacy with her audiences. There her digressions enhanced her songs.
Among her best-known songs were ''Tired,'' ''Two to Tango,'' ''Birth of the Blues,'' ''Toot Toot Tootsie, Goodbye,'' ''Row, Row, Row,'' ''That's Good Enough for Me'' and ''15 Years.''
Jessie Smith was one of the half a million black Americans who left the south during the first wave of the great migration, before and during the first world war, hoping to trade Jim Crow, klan violence and failed crops for a life of opportunity in the industrial towns of the north. However, when she arrived in New Castle from Spartanburg, South Carolina, she would have found that there was nowhere in town for her to stay. The hotels accepted only whites, and any young colored girl stepping off the train would have had to ask around until she found a colored family with a room to let.
Jessie found accommodation, and a job, in the Vanhorn apartments, a dilapidated three-storey frame building by the bridge over Neshannock creek on South Jefferson street, a well known and frequently raided brothel. She was arrested there one Saturday night in 1918, along with the other girls and four customers. The prostitutes were fined $15; the proprietress, Mary Armour, $50; and the customers, $10. A decent night’s profit for the city.
Three years later, the Vanhorn block was torn down to make way for a rail track along the river to the Carnegie company’s number 1 furnace, but Jessie had already moved on.
During the twenties and thirties, she worked in houses further down South Jefferson street, on Long avenue and on Lutton street, paying an occasional $10 or $15 fine for the privilege. Along the way, she married Robert Cruthers, who lived off her earnings and beat her when the mood took him. Sometimes, the beatings were so bad that she would go to the police, who would arrest him for assault and battery and give him a $10 fine, which he'd pay using money that Jessie had worked for. Once, he couldn't pay and was sent to the county jail for ten days.
In October 1930, Robert Laughlin, a traveller who was staying at the Henry Hotel, told police that he’d been robbed by two colored women while walking down the alley behind the Fountain Inn, just off the main square. One had held him while the other had gone through his clothes and taken his pocketbook, which contained $34. The police would have known that his part in the story wasn't as innocent as he assured them it was, but it didn't matter. They arrested Jessie and and a woman called Mabel Smith (a sister, perhaps), who were found to have Laughlin's pocketbook. They were fined $10.
Early on Christmas morning, 1930, three young men - with considerably less shame than Robert Laughlin - told a beat policeman on the south side that one of them had been robbed by a colored prostitute in a house on Lutton street. The police raided the place, which was owned by Charles Hudson, and found the money in Jessie Smith’s possession.
That was Jessie's last appearance in New Castle's recorded history. The final sentence of the story in the paper states that her penalty was - yet again - a fine of $10.
Sources: New Castle News (4 Jan 1917 "Colored Man to Seek Hotel License Here"; 30 Jul 1917 "Colored Folk To Have Hotel"; 7 Feb 1919 "JB Clark Claims He Was Insulted"; 29 Jul 1918 "Disorderly House Raid Nets $120"; 22 Aug 1930 "Given Ten Days"; 30 Sep 1930 "Robert Cruthers"; 20 Oct 1930 "Colored Women Rob Local Man"; 26 Dec 1930 "Disorderly House Raided By Police")
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