Making Rugs From Carpet - Getting Red Wine Out Of Carpet - Cashmere Rugs
Making Rugs From Carpet
- devising: the act that results in something coming to be; "the devising of plans"; "the fashioning of pots and pans"; "the making of measurements"; "it was already in the making"
- Essential qualities or ingredients needed for something
- qualification: an attribute that must be met or complied with and that fits a person for something; "her qualifications for the job are excellent"; "one of the qualifications for admission is an academic degree"; "she has the makings of fine musician"
- The process of making or producing something
- (usually plural) the components needed for making or doing something; "the recipe listed all the makings for a chocolate cake"
- Money made; earnings or profit
- rug: floor covering consisting of a piece of thick heavy fabric (usually with nap or pile)
- form a carpet-like cover (over)
- cover completely, as if with a carpet; "flowers carpeted the meadows"
- A floor or stair covering made from thick woven fabric, typically shaped to fit a particular room
- A thick or soft expanse or layer of something
- A large rug, typically an oriental one
- (rug) floor covering consisting of a piece of thick heavy fabric (usually with nap or pile)
- (Rug) Rhug (normally Y Rug in Welsh; sometimes given the antiquarian spelling Rug) is a township in the parish of Corwen, Denbighshire, Wales, formerly in the old cantref of Edeirnion and later a part of Merionethshire, two miles from CorwenRug Chapel and ten miles north east of Bala.
- (Rug (animal covering)) A rug (UK), blanket(Equine and other livestock, US), or coat (canine and other companion animals, US) is a covering or garment made by humans to protect their pets from the elements, as in a horse rug or dog coat.
- A thick woolen coverlet or wrap, used esp. when traveling
- A floor covering of shaggy or woven material, typically not extending over the entire floor
- A small carpet woven in a pattern of colors, typically by hand in a traditional style
Quilts in a Material World: Selections from the Winterthur Collection
In this pioneering publication, Winterthur’s renowned quilt collection is presented through dazzling color photographs that showcase rich fabrics and skillful needlework techniques. The letters of twenty-three-year-old Mary Remington, a dedicated quilt maker, and the extraordinary whitework quilt she made in 1815—the only known example of an American quilted coat of arms—provide themes for the book, which looks at the quilts through the lives of their makers. Among the reproductions included—many are being seen here for the first time—are quilts that express religious faith or commemorate marriages and other family connections; quilts in support of political candidates, made by women who could not vote; quilted bedspreads with matching quilted valances and dressing-table covers pictured in room settings; and much more.
This exquisite presentation provides a rare opportunity to view the strengths of the Winterthur quilt collection—highlighting examples from the period of the early American republic—and to understand how the economics and politics of the time affected quilt materials and design in the early nineteenth century.
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Handwoven rug from the T.C. Steele collection
Handwoven rug from the T.C. Steele collection
Early 20th century
The combination of colors and abrash make this rug visually pleasing, despite the loss of pile and the small holes present.
Shiraz carpet 260x168 cm from Persia / Iran
A beautiful carpet, hand knotted in the province of Fars in Southwest Iran by nomads. Beautiful colors, dyed with plants and minerals makes a nice handicraft of good quality.
making rugs from carpet
Studio: Uni Dist Corp (music) Release Date: 10/26/1999 Starring: David Byrne Chris Franz Rating: Pg Director: Jonathan Demme
Over the course of three nights at Hollywood's Pantages Theater in December 1983, filmmaker Jonathan Demme joined creative forces with cinematographer Jordan Cronenweth and Talking Heads... and miracles occurred. Following a staging concept by singer-guitarist David Byrne, this euphoric concert film transcends that all-too-limited genre to become the greatest film of its kind. A guaranteed cure for anyone's blues, it's a celebration of music that never grows old, fueled by the polyrhythmic pop-funk precision that was a Talking Heads trademark, and lit from within by the geeky supernova that is David Byrne.
The staging--and Demme's filming of it--builds toward an orgasmic release of music, rising from the bare-stage simplicity of Byrne, accompanied only by a boom box on "Psycho Killer," to the ecstatic crescendo of "Burning Down the House," by which time the Heads and additional personnel have all arrived on stage for a performance that seems channeled from heaven for the purpose of universal uplift. (God bless Demme for avoiding shots of the luckiest audience in '80s pop history; its presence is acknowledged, but not at the viewer's expense.) With the deliriously eccentric Byrne as ringleader (pausing mid-concert to emerge in his now-legendary oversized suit), this circus of musical pleasure defies the futility of reductive description; it begs to be experienced, felt in the heart, head, and bones, and held there the way we hold on to cherished memories. On those three nights in December 1983, Talking Heads gave love, life, and joy in generous amounts that years cannot erode, and Demme captured this act of creative goodwill on film with minimalist artistic perfection. Stop Making Sense is an invitation to pleasure that will never wear out its welcome. --Jeff Shannon
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