Black white fashion store - 2011 fashion trends women.
Black White Fashion Store
crocs Unisex Hover Lace-Up,Black/White,Men's 10 M US/Women's 12 M US
Crocs, Inc. is a rapidly growing designer, manufacturer and retailer of footwear for men, women and children under the Crocs brand. All Crocs brand shoes feature Crocs' proprietary closed-cell resin, Croslite, which represents a substantial innovation in footwear. The Croslite material enables Crocs to produce soft, comfortable, lightweight, superior-gripping, non-marking and odor-resistant shoes. These unique elements make Crocs ideal for casual wear, as well as for professional and recreational uses such as boating, hiking, hospitality and gardening. The versatile use of the material has enabled Crocs to successfully market its products to a broad range of consumers.
2011-03-12 black white blue
I rarely take photos of my saturday outfits, but today when I was ready to go to the market I thought, well, this looks nice enough to take a photo.
black velvet jacket: H&M
black suede vest: 2nd hand store
white polo shirt: H&M
denim skirt: C&A
striped leggings: C&A
boots: handmade soft leather boots from an arts and crafts market
Black & Whites Campaign
Art Director: Chirag H Patel
Photographer: Lucy Eleanor Brown
Male Model: William Prost
Female Model: Zoe Onions
MUA: Natalie Guest
Hair Stylist: Jon
black white fashion store
Black--favorite color of priests and penitents, artists and ascetics, fashion designers and fascists--has always stood for powerfully opposed ideas: authority and humility, sin and holiness, rebellion and conformity, wealth and poverty, good and bad. In this beautiful and richly illustrated book, the acclaimed author of Blue now tells the fascinating social history of the color black in Europe.
In the beginning was black, Michel Pastoureau tells us. The archetypal color of darkness and death, black was associated in the early Christian period with hell and the devil but also with monastic virtue. In the medieval era, black became the habit of courtiers and a hallmark of royal luxury. Black took on new meanings for early modern Europeans as they began to print words and images in black and white, and to absorb Isaac Newton's announcement that black was no color after all. During the romantic period, black was melancholy's friend, while in the twentieth century black (and white) came to dominate art, print, photography, and film, and was finally restored to the status of a true color.
For Pastoureau, the history of any color must be a social history first because it is societies that give colors everything from their changing names to their changing meanings--and black is exemplary in this regard. In dyes, fabrics, and clothing, and in painting and other art works, black has always been a forceful--and ambivalent--shaper of social, symbolic, and ideological meaning in European societies.
With its striking design and compelling text, Black will delight anyone who is interested in the history of fashion, art, media, or design.
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